Here is a soundtrack for your ears of wind and rain.

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Yesterday eve, I sprang forth from the pages of the Art and Science of Digital Compositing, and spied beams of sun setting through the crack above the blankets shielding me from the outside, through the pain of glass. Gripped by sudden aescetic cravings of exterior exposure, I groped for objects of anamnesis both photographic and calligraphic and was on my way. With bicycle in tow, I rode to a mound of dirt, and this is what I saw.

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Efterklang is an inspiring and amazing band who I first started listening to in 2005. They are from Denmark, and play a fascinating breed of music which blends folk, indie rock, electronic, and their own unique musical sauce into a compelling style of brilliantly dynamic, emotive, and beautiful compositions. I was fortunate enough to see them perform in San Francisco on March 10th.

I had the interesting experience of going to a club and seeing Tipper perform two nights before. For quite a while now, I have been excited by electronic music, and the potentialities for interesting new sonic and musical territories to be explored. All too often (as in many disciplines), I find the majority of electronic music to be uninteresting or even repulsive, because it strongly adheres to established patterns of style and form, is often rhythmically unsophisticated, does not experiment nor innovate, but instead self-congratulates and regurgitates itself endlessly.

As a relatively Anti-Sphexish human, I am predisposed to be repulsed by things that self-regurgitate endlessly. I tend to be interested and excited by things that push accepted boundaries and experiment, and that offer compelling, internally consistent, emotionally powerful, tantalizingly complex, and genuine (in the sense of sincere, profound, and non-cynical) “art”.
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